American Psycho. Music and lyrics by Duncan Sheik, book by Roberto Aguirre-Sacasa
Shotgun Players presents
American
Psycho
Patrick Bateman is young, handsome, and ridiculously successful. He’s got impeccable taste and unquenchable desires. Patrick and his elite Wall Street cadre spend their time getting into hip restaurants, exclusive clubs, and designer labels. But late at night, Patrick indulges in darker errands, and his mask of sanity is starting to slip. Sexy and psychopathic, American Psycho is a ruthless and daring skewering of American capitalism set in the epicenter of excess. And it’s a musical!
Don’t miss these
Special performances
Nov 27–28, Dec 2–3
Pay-What-You-Can Previews
Pay what you can for any of our four preview performances.
Opening Night
Sat, Dec 4 at 7 PM
Thu, Dec 9 · 7 PM
MAD Night
25 and under? $15 gets you a ticket, pizza and a beer (21+) or soda. MAD Nights sell out, so don’t wait. Bring your ID.
Sun, Dec 12 · 2 PM
Haptic Tour & Audio Description
For guests who are blind or have low vision: a pre-show touch tour of the space, costumes and props, plus live audio description on headsets.
Sun, Dec 19 · 2 PM
Masked-Audience Performance
All audience members, ushers and staff wear masks. Performers are unmasked on stage.
Thursdays & Sundays
Post-Show Conversations
Stick around after every Thursday and Sunday performance, starting December 5, for a conversation about the play.
From the critics
A carnal carnival
So smooth, so rich, so ruthless. A carnal carnival of song and dance.
Sheik’s super-smart original songs match up with the show’s emphasis on the superficial, materialistic pursuits of the era.
Listen to the music
An ’80s synth-pop score
The score is an amalgam of things that are specifically and sonically from that time, like using drum machines and synthesizers that were popular in the mid- to late ’80s. Very kind of specific things that would have been used in dance music tracks of the era. But I also combine that with much more modern technology… It’s an amalgam of EDM sounds of the ’80s mixed with contemporary.
Side A
0:47
1:07
Side B
1:00
2:50
“Everybody wants to rule the world.”

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